To help determine the manufacturing date of Hammond organs and Leslie . Below is a compilation of Hammond organ serial numbers and.
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There is no way to give an exact value of a Hammond organ over the internet or phone. Just because the name Hammond is on an organ it doesn't mean that it has any value.
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ONLY certain models have value, which are mostly the vintage tonewheel organs console organs. Hammonds that are all tube like the Chord organ, transistor and the LSI Large Scale Integrated circuit models have little to no real value. If you call or write us for a some idea of value, you may not like what you are going to be told. Just because the name Hammond is on an organ doesn't mean that it is worth a great deal. Only a select group of Hammond organs fall into this category. In general, and the word "general" must be stressed, the only models that have held their value are the tonewheel models, and that is limited to a select group, as well.
If your in the Delaware Valley just click on the link and fill in the information. We'll call you to setup an appointment. Single or One Keyboard. His vibrato system was the first that could be used with tone generators of the wheel type. In all, his patents totaled Emory Penny, sales manager since the days of the A-Box, and John Hanert were selected to present the new organ to the public.
Early rising Ford met early arriving Penny and Hanert at the Dearborn Laboratories which they had reached along rough and muddy roads, giving the electric organ an unintended road test for durability. Reluctantly following directions to drive their truck into a building with gleaming oak floors, they patiently waited half the day for the motor tycoon to give their organ a hearing. During those years it was seldom idle, however, for Henry Ford routed it through all of his plants and loaned it for many worthwhile causes.
The road from Detroit lay straight to New York City where, on April 15,, the Hammond electric organ was unveiled to nearly unanimous critical acclaim. Patrick Cathedral, and Fritz Reiner, later conductor of the Chicago Symphony, took turns at the keyboard, as did George Gershwin who immediately ordered one for his own use. Production and delivery of organs was more the problem in those first months of than selling.
Organ demonstrations were arranged at such public places as skating rinks and race tracks. These public showings created the headline news that popularized the instrument. Yet it is built to conform to established pipe organ standards, requires pipe organ technique of the musician who plays it, and produces the entire range of tone coloring necessary for the rendition, without sacrifice, of the great works of classical organ literature.
In addition, it permits many tone colors never before heard on any musical instrument.
The Hammond Story
It is installed by plugging into an electric light socket The first demonstration models were plugged into light sockets over much of the nation during that first year. Penny, applying the same fervor to the organ that he had to the selling of clocks and bridge tables piled up orders for 1, organs as he visited one music dealer after another from coast to coast.
One of the first to stand enthralled in the lobby of the Hammond Clock Company on Western Avenue as the new electrical instrument was played was Milt Herth.
He had spent his last 15 cents for carfare to see and hear this wonder of the day. Resembling a piano in appearance, the device produced music with amazing resemblance to that of a dance band. But the public evidently preferred to see the band, and the instrument never caught on. The Novachord was discontinued at the outbreak of World War II but the basic idea in this first purely electronic organ was predecessor to all the Hammond and other vacuum tube and transistor sound generating organs.
A curious product appeared under the Hammond name in Curious because it seemed to take a step backward out of the electrical age and borrow some wind from the old pipe organ. It was a roll player organ. The instrument was the basic BC Model Hammond in a higher case to accommodate the roll playing mechanism that was made avail-able through agreement with the Aeolian Skinner Organ Company of Boston. But the Hammond Company had more tricks up its sleeve. In it introduced the Solovox, an electronic apparatus invented by John Hanert to augment a piano with accompaniment or orchestral sounds. The Solovox, generating sound with vacuum tubes, had a three octave keyboard arranged like the piano, but it could be played over a six octave range.
It had 12 tone selectors that pro-duced a broad range of sound effects instantly popular with piano entertain-ers and piano owners. Three models were brought out in the years from to , after which it was discontinued. One of the many women who became famous and helped the popularity of the electric organ, was the noted organist Ethel Smith. Stories vary as to where she first saw the Hammond. But, whether it was on a Hollywood movie lot or while she was vacationing in Miami, Ethel fell in love with the Hammond.
It was while she was playing at the St. Regis Hotel that she received a phone call from the New York Hammond Studio to dress her best and rush over. Upon arriving, she met the owner of the elegant Copacabana Club in Rio de Janeiro who wanted an attractive girl to play the Hammond in his club for a 26 week engagement. Ethel wanted the job, and got it. She stayed in Brazil about a year, as fascinated with learning the South American rhythms as her audiences were in hearing her play them on the Hammond.
List of Hammond organs - Wikipedia
Regis one evening when she was asked to join a gentleman at his table. Her career was truly launched and Ethel Smith earned some of the highest fees ever paid a radio instrumentalist. The honor of owning the first Hammond Organ has been a matter of controversy, with George Gershwin being accorded the title. More than a dozen years later, Reverend Edward W. Potts wrote the company that upkeep on the organ had amounted only to a new set of tubes for the amplifier….
The Paseo organ has now been replaced by a later model, but Hammond Number One is still performing. Twenty-five hundred organs were produced without any change in the model. The Swell and Great manuals each had 61 keys and there was a 25 note pedal keyboard. In addition there were 18 preset keys that enabled the organist to switch instantly to the instrumental or other voice he desired without setting the harmonic drawbars. The pound instrument also had one expression pedal controlling the Swell, Great and Pedal keyboards, and there was one adjustable tremulant for all three.
All this was contained in a console, or cabinet, that was only a fraction over four feet wide, three feet high and two feet deep. A second model was introduced in , the only change being a new case with somewhat different woodwork. A third model for the church market was virtually the same.
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Beginning in , a series of new models was introduced, each designed to meet special marketing requirements. In , business was booming for Hammond despite another slump in the general economy. But finding no manufacturer rushing to him with marketing plans, he came to Hammond for a job.
His period of service to the company extended over a period of seven years until he resigned in After years of negotiations, he eventually succeeded in having his organ built and marketed under his given name of Thomas. Some 20 years later, he returned to the Ham-mond fold in the role of a consultant.
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The Thomas Organ Company is no longer in existence. The other new employee who joined the Hammond staff in was john A. Volkober, who started as an office boy. In , he was named president of Hammond Organ Company when Sorensen became chairman of the board.
It was so-called stipulation from the Federal Trade Commission asserting that certain statements in Hammond advertising were not completely accurate. Laurens Hammond, more the self-effacing and quiet inventor than a public pugilist, nevertheless decided to fight. He was a participant in one of the most amazing events in the history of music. Players of both instruments were hidden from view by screens and the Hammond speaker cabinets were concealed among the organ pipes at the University of Chicago Chapel. A panel of 15 students and 15 professional musicians was asked to record whether it was the pipe organ or the Hammond electric organ that was being played in a number of test pieces.
That these jurors were wrong in their answers ten times out of 3Owas indication enough that the Hammond had carved itself a permanent niche in the musical instrument field. A year later the FTC decided that the company could call its instrument an organ but must desist from claiming an infinite number of tones -for, after all, it could produce only ,, tones!